Photoshop Filters - Kodak Plugin Filter
Yosemite, May 2. 01. Home. Donate. New. Search. Gallery. Reviews. How To. Books. Links. Workshops. About. Photoshop Filters - Kodak Plugin Filter' title='Photoshop Filters - Kodak Plugin Filter' />Contact. Introduction. These are photos from an Exploration of Spring Light I helped lead in Yosemite. My Camera. I normally shoot my Hasselblad. CX with a PME metered prism and 5. ZEISS CF lenses on 2. Velvia and 1. 20 Fuji ACROS or my Canon 5. DSR with 1. 6 3. IS and 1. IS L II for serious work, but seeing how I shot these on the same trip last year and still have the scans sitting here without having gotten to publishing anything, I figured Id have more fun this time and instead I shot my new Apple i. Phone 7 Plus the newest one with the two lenses and my new Fujifilm X1. F. It was a hoot shooting these, which left me time to fiddle with the images instead of lugging a tripod. The Square. Im a huge fan of the square format of my Hasselblad, and when I realized that the square crop setting of my X1. Kodak Digital Professional Plugins 2. How to install IrfanView PlugIns 1 Download all PlugIns, see below 2 Click on the PlugIn file irfanviewpluginsXYZsetup. PlugIns will be installed into. OPDhQAYp8.jpg' alt='Photoshop Filters - Kodak Plugin Filter' title='Photoshop Filters - Kodak Plugin Filter' />DanteGesellschaft Mnchen Societ Dante Alighieri Monaco di Baviera. F and its lens saw the same thing as the 8. CX, I was hooked. The square is a very intellectual format. It shows you the artist probably was very deliberate in doing whatever was done, as opposed to just snapping away with whatever shape the camera handed you. The square lets subjects breathe. Dear Jondo, we are using the PIPS for several years already and I have to admit that we cleaned the inner surface of the work chamber only in verylong. FastPictureViewer Professional 1. Downloads Apr 25, 2017 An image viewer built for speed. Designed for digital photographers. Fastest, EVER, helps. Your favorite technology company, Google, is working on an upcoming feature that could put the kibosh on autoplaying videos for good. Soon youll be able to silence. Love Lightroom for its simplicity. It allows me to get my photos looking exactly how I want without any of the flashy extras that youll find in Photoshop. A noisy cheer went up from the crowd of hackers clustered around the voting machine tucked into the back corner of a casino conference roomtheyd just managed to. It doesnt cramp the top and bottom, as do horizontal shots, or squeeze them in on left and right as do vertical shots. Imagine blowing up a balloon things naturally like to fill a square or circle. I share Ansel Adams love of the square format for its practicality its easy to crop any horizontal or vertical shape from the big square negative, and heres the clincher you never have to rotate the camera Just shoot square, and you can crop whatever you need later. Ansel shot almost everything for most of his life after his earliest years on his Hasselblad, and unlike here and in the Hasselblad ads, always cropped to whatever shape he needed. DSLR and mirrorless 1. Barnack simply jury rigged a movie camera to shoot two four perf 2. Its always been too wide for most things, but when Nikon proposed to correct it to a proper 2. Kodak successfully lobbied congress to prevent Nikon from importing it because it would have given us 4. There is no universal best aspect ratio, but something around 4 5 or 4 3 like micro 43 and i. Phone makes the most efficient use of a sensor with usually the least cropping to arrive at our final work. One ought never compose to the restriction of a cameras frame one should imagine the finished work and print it in whatever shape tells the strongest story. The Craft. The key to shooting on the i. Phone 7 Plus is that I can optimize my work immediately with the free Snapseed app, which lets one finger do in a few seconds what used to take two full hands forever, even after a couple of decades of learning Photoshop. I also can get images from my X1. F into the i. Phone via Wi. Fi with the Fujifilm Camera Remote app, after which I can work them with Snapseed and send them out immediately. Most of these received significant artistic input in Snapseed. I was having fun I played with them until I had on my i. Phone what I saw in my minds eye. Know that these are designed to look great on a little screen where strong colors help them say Springtime. They may be a bit loud for big screens tough, Im an artist and these look the way I intend. They are not just photographs trying to duplicate reality as if Im a copy machine. They were all eventually finished in Photoshop CS6, often with the Perfectly Clear plugin, for publication. May 2. 01. 7, Thursday Yosemite Falls, 4 1. P. M. Apple i. Phone 7 Plus at 6. Auto ISO 2. 0. bigger. Reflection in the Merced River, 6 5. P. M. Apple i. Phone 7 Plus at 4mm, f1. Auto ISO 2. 5. bigger. I shot a reflection looking down, and then flipped the image 1. Green, Cooks Meadow, 7 0. P. M. Apple i. Phone 7 Plus at 6. Auto ISO 1. 60. bigger. May 2. 01. 7, Friday. Blue Ice, Mirror Lake, 6 2. A. M. Apple i. Phone 7 Plus at 6. Auto ISO 6. 4. bigger. This was a giant hunk of blue ice that fell from an errant airliner and landed in Mirror Lake. But honestly though, this is a grey rock lit by blue dawn skylight it just looks like blue ice. God Beams, Base of Yosemite Falls, 7 4. A. M. Fujifilm X1. F, f1. 6 at 17. Auto ISO 4. Auto Dynamic Range at 2. Rainbow at the base of Yosemite Falls, 7 4. A. M. Fujifilm X1. F, f5. 6 at 13. Auto ISO 2. Dynamic Range at 1. Pines and Granite near Yosemite Falls, 8 0. A. M. Fujifilm X1. F, f2 at 15. 8 at Auto ISO 4. Auto Dynamic Range at 2. Springtime Greenery, Merced River, 1. A. M. Apple i. Phone 7 Plus at 6. Auto ISO 2. 0. bigger. Rainbow over Bridal Veil Falls as seen from Tunnel View, 4 2. P. M. Apple i. Phone 7 Plus at 6. Auto ISO 2. 0. bigger. The i. Phone has such great resolution, along with its new longer second lens, that I was able to create this work by cropping to give the equivalent of a much longer lens. You could only barely see this waterfall with the naked eye from Tunnel View. Golden Half Dome over Stoneman Meadow, 7 2. P. M. Apple i. Phone 7 Plus at 4mm, f1. Auto ISO 2. 0. bigger. As shot, this would have been an awful image, however the i. Phone 7 Plus has such dynamic range that I was able to use Snapseed, with about two clicks, to bring up the dark bottom half of the image, and let me turn this into a whacky bunch of color instead of an orange blob at the top with empty black on the bottom. No grad filters needed Heres how the original file looked out of the i. Find Missing Drivers Windows 7. Phone before I worked my magic. It would look the same from any other digital camera this is how the scene looks to cameras. I made a point of locking exposure on Half Dome to retain detail there, knowing I would bring up the shadows a moment later in Snapseed I knew that Id be able to pull whatever I needed out of the shadows, and I did. The key point is that I was able to do all this editing in Snapseed the moment after I shot it, and then send the work off to the people who needed it immediately. Theres no camera more fun than an i. Phone 2. 0 May 2. Saturday. Pines and Granite, 6 3. A. M. Fujifilm X1. F, f5. 6 at 13. Auto ISO 4. Auto Dynamic Range at 2. Fallen Log, Valley View, 7 0. A. M. Fujifilm X1. F, FLASH ON, f5. Auto ISO 8. Dynamic Range at 4. As always, the X1. Fs superb leaf shutter let me shoot at 13. AUTO. Raging Waters, Happy Isles, 1. Noon. Fujifilm X1. F, Neutral Density Filter IN MENU Camera ND FILTER ON, f1. Auto ISO 4. 00, Auto Dynamic Range at 2. Its easy to brace the vibration free X1. F on a railing and shoot at slow speeds, no tripod needed. The X1. 00. Fs built in neutral density filter let me shoot at 13. Raging Waters, Happy Isles, 1. P. M. Fujifilm X1. F, Neutral Density Filter IN MENU Camera ND FILTER ON, f1. Auto ISO 4. 00, Auto Dynamic Range at 2. The Merced River as seen from a bridge at Happy Isles, 1. P. M. Fujifilm X1. F, Neutral Density Filter IN MENU Camera ND FILTER ON, f1. Auto ISO 5. 00, Auto Dynamic Range at 2. The Merced River as seen from a bridge at Happy Isles, 1. P. M. Apple i. Phone 7 Plus at 6. Auto ISO 2. 0. bigger. Walkway at Cooks Meadow, 5 1. P. M. Fujifilm X1. F, f4. 5 at 11. Auto ISO 4. Auto Dynamic Range at 2. Dreams of Stars in the Merced River, 7 1. P. M. Apple i. Phone 7 Plus at 4mm, f1. Auto ISO 2. 5. bigger.